Prose and Poetry

Here are a selection of poems and quotations about love which have caught my eye, plus a couple of my own poems. There are two main themes connecting all these: Firstly that of grappling with the concept of romantic love - what exactly is it (be warned that even the most beautiful writing can be based on false ideas); Secondly there is the struggle to somehow express this thing we call love on paper.

What is this thing called love?
I know I've found it,
it's in your eyes.
   (Delirious?)

If thou must love me, let it be for nought
Except for love's sake only. Do not say,
'I love her for her smile - her look - her way
Of speaking gentle, -for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day.' -
For these things in themselves, Beloved, may
Be changed, or change for thee, - and love, so wrought
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry, -
A creature might forget to weep who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou may'st love on, through love's eternity.
    (Elizabeth Barrett Browning)

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be wite, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speek, yet well I know
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
        (William Shakespeare)

Glistening like ice,
thawing at midday.
Gleaming bright jewels,
in a golden array.
Such gentle eyes!

But to gaze into them,
for a day and a night.
I would renounce all pleasures
for that great delight.
Such gentle eyes!

They must see my soul,
cancerous and ill.
Yet they don't turn away,
but remain so still.
Such gentle eyes!
    (me)

Love is not a temporary creature,
Like a summer flower that grows, blooms and withers.
And in its very blooming lurks the shadow of its death,
For the seasons race on pursued by fierce lionesses.
In truth love is like a jewel,
A ruby, amethyst or most brilliant diamond.
Fashioned in fires deep within the earth,
It does not sparkle for a day, but forever.
    (me)

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no; it is an ever fixéd mark,
That looks on tempests and is never shaken:
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even unto the edge of doom.
If this be error, and upon me proved,
I never writ, nor no man ever loved.
    (William Shakespeare)

I say I love you,
But do I lie?
Words are ethereal,
Like clouds in the sky.
I say you warm my life,
You dispel the cold.
But when night returns,
Will I be so bold?

If we were thirsty,
Would I give you my cup?
If we were drowning,
Would I hold you up?
If we were freezing,
Would my cloak be yours?
If danger threatened you,
Would I pause?
    (me)

If you had a different face
Or another mind beneath those eyes,
Who would it be that I embrace?
Would I still love you Firefly?
    (me)

Each minute apart is wasted time.
It ain't worth a nickel,
It ain't worth a dime.
We were meant to be,
One and two,
Part of the same,
Through and through.

When you're 64, I'd open the door,
If you walked into my life.
And at 72, I know what I'd do,
Down on my knees -marrying you.

At 80 years old, my heart won't be cold,
Still longing for your kiss.
And at 95, if we're still alive,
Without your love, I wouldn't survive.
    (me)

Lying wide awake
under strange skies.
Wanting to call you
but it is late at night,
and you're far away,
but you are always on my mind.

I feel like I'm on fire,
nothing I can do.
I'm troubled with doubt
though I know it is not true,
and it's times like these
when I am dyn'a speak to you
I'm dying to get through
I'm dyn'a speak to you
dying to get through
I'm dyn'a speak to you.

Staring at the room,
I sink inside.
I think about it all,
I get caught up in my life.
I can't think straight
because it's tearing up my mind.

The more that I think
how I need you.
The more that I think,
the more it seems true,
and now it means more than
I ever meant it to, ever meant it to.
   (Ash 'Lost in You')

I say I'm in love with her. What does that mean?
   It means I review my future and my past in the light of this feeling. It is as though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. Like genius, she is ignorant of what she does…
   When I dream of a future in her arms no dark days appear, not even a head cold, and though I know it's nonsense I really believe we would always be happy and that our children would change the world…
   Infatuation. First love. Lust.
   My passion can be explained away. But this is sure: whatever she touches, she reveals.
            (Henri speaking in 'The Passion' by Jeanette Winterson)

C.S.Lewis (extract from Mere Christianity)

    The idea that 'being in love' is the only reason for remaining married really leaves no room for marriage a a contract or promise at all. If love is the whole thing, then the promise can add nothing; and if it adds nothing, then it should not be made. The curious thing is that lovers themselves, while they remain really in love, know this better than those who talk about love. As Chesterton pointed out, those who are in love have a natural inclination to bind themselves by promise. Love songs all over the world are full of vows of eternal constancy. The Christian law is not forcing upon the passion of love something which is foreign to that passion's very nature: it is demanding that lovers should take seriously something which their passion of itself impels them to do.
    And, of course, the promise, made when I am in love and because I am in love, to be true to the beloved as long as I live, commits me to being true even if I cease to be in love. A promise must be about things I can do, about actions: no one can promise to go on feeling in a certain way. He might  as well promise never to have a headache or always to feel hungry. But what, it may be asked, is the use of keeping two people together if they are no longer in love? There are several sound, social reasons; to provide a home for their children, to protect the women from being dropped whenever the man is tired of her. But there is also another reason of which I am very sure, though I find it a little hard to explain...
    What we call 'being in love' is a glorious state, and, in several ways, good for us. It helps make us generous and courageous, it opens our eyes not only to the beauty of the beloved, but to all beauty, and it subordinates (especially at first) our merely animal sexuality; in that sense, love is the great conqueror of lust. No one in his senses would deny that being in love is far better than either common sensuality or cold self-centredness. But, as I said before, 'the most dangerous thing you can do is to take any one impulse of our own nature and set it up as the thing you ought to follow at all costs'. Being in love is a good thing, but it is not the best thing. There are many things below it, but there are also things above it. You cannot make it the basis of your whole life. It is a noble feeling, but it is still a feeling. Now no feeling can be relied on to last in its full intensity, or even to last at all. Knowledge can last, principles can last, habits can last; but feelings come and go. And in fact, whatever people say, the sate of 'being in love' usually does not last. If the old fairy tale ending 'They lived happily ever after' is taken to mean 'They felt for the next fifty years exactly as they felt the day before they were married,' then it says what probably never was nor ever would be true, and would be highly undesirable if it were. Who could bear to live in that excitement for even five years? What would become of you work, your appetite, your sleep, your friendships? But, of course, ceasing to be 'in love' need not mean ceasing to love. Love in this second sense - love as distinct from 'being in love' - is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriage) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other... They can retain this love even when each would easily, if they allowed themselves, be 'in love' with someone else. 'Being in love' first moved them to promise fidelity: this quieter love enables them to keep the promise. It is on this love that the engine of marriage is run: being in love was the explosion that started it.
    If you disagree with me, of course, you will say, 'He knows nothing about it, he is not married.' You may quite possibly be right. But before you say that, make quite sure that you are judging me by what you really know from your own experience and from watching the lives of your friends, and not by ideas you have derived from novels and films. This is not so easy to do as people think. Our experience is coloured through and through by books and plays and the cinema, and it takes patience and skill to disentangle the things we have really learned from life for ourselves.
    People get from books the idea that if you have married the right person you may expect to go on 'being in love' for ever. As a result, when they find they are not, they think this proves that they have made a mistake and are entitled to a change - not realizing that, when they have changed, the glamour will presently go out of the new love just as it went out of the old one. IN this department of life, as in every other, thrills come at the beginning and do not last. The sort of thrill a boy has at the first idea of flying will not go on when he has joined the RAF and is really learning to fly. The thrill you feel on first seeing some delightful place dies away when you really go to live there. Does this mean it would be better not to learn to fly and not to live in the beautiful place? By no means. In both cases, if you go through with it, the flying away of the first thrill will be compensated for by a quieter and more lasting kind of interest. What is more (and I can hardly find words to tell you how important I think this), it is just the people who are ready to submit to the loss of the thrill and settle down to the sober interest, who are then most likely to meet new thrills in some quite different direction. The man who has learned to fly and become a good pilot will suddenly discover music; the man who has settled down to live in the beauty spot will discover gardening.
    This is, I think, one little part of what Christ meant by saying that a thing will not really live unless it first dies. It is simply no good trying to keep any thrill: that is the very worst thing you can do. Let the thrill go - let it die away -go on through that period of death into the quieter interest and happiness that follows - and you will find you are living in a world of new thrills all the time. But if you decide to make thrills your regular diet and try to prolong them artificially, they will all get weaker and weaker, and fewer and fewer, and you will be a bored, disillusioned old man for the rest of your life. It is because so few people understand this that you find many middle-aged men and women maundering about their lost youth, at the very age when new horizons ought to be appearing and new doors opening all round them. It is much better fun to learn to swim than to go on endlessly (and hopelessly) trying to get back to the feeling you had when you first went paddling as a small boy.
    Another notion we get from novels and plays is that 'falling in love' is something quite irreversible; something that just happens to on, like measles. And because they believe this, some married people throw in the sponge and give in when they find themselves attracted by a new acquaintance. But I am inclined to think that these irresistible passions are much rarer in real life than in books, at any rate when one is grown up. When we meet someone beautiful and clever and sympathetic, of course we ought, in one sense, to admire and love these good qualities. But is it not largely in our own choice whether this love shall, or shall not, turn into what we call 'being in love'? No doubt, if our minds are full of novels and plays and sentimental songs, and our bodies full of alcohol, we shall turn any love we feel into that kind of love: just as if you have a rut in your path all the rainwater will run into the rut, and if you wear blue spectacles everything you see will turn blue. But that will be our own fault. 1