History 362G
Dr. Villalon
WORLD WAR I
Course Syllabus
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General Information:
(1) Full Course title: “The War to End All Wars”: World
War I and the Twentieth Century
(2) Semester: First
(3) Professor: L. J. Andrew Villalon (Dr. V; Professor
V; Mr. V)
(4) Course number: 362G
(5) Section: Only one
(6) Days/Time of meeting: M-W-F 12-1 p. m.
(7) Classroom: GAR 1.126
(8) Campus Office: GAR 4.120
(9) History Departmental Office, GAR/First Floor
(10) Office Phone: (512)475-8004
(11) Departmental Phone: 471-3261
(12) Office Hours: W: 3-5; F: 3-5. (5-6 by appointment;
limited access to the 4th floor at this time requires phoning the
professor's office upon arrival).
(13) Email Address: avillalon@austin.rr.com
(14) Website URL for this course:
http://www.geocities.com/Athens/Parthenon/9507/c-ww1-index.html
(15) Website on which this material appears: Wire Paladin
Current URL: http://www.geocities.com/wirepaladin/geo
Former URL: http://www.geocities.com/Athens/Parthenon/9507
(If you do not have available the URL to
my website, you can still find it easily by typing into Google "Andrew Villalon
Wire Paladin." The website should come up as the first entry on the
list. You can then click through to it.)
Contacting the Professor:
There are three very reliable ways to contact this professor:
(1) Speak with him either before or after class.
(2) Come to his office during office hours (see above).
No appointment is needed; I am almost always available in my office (or
very nearby) during those office hours which will take place on Monday and
Wednesday. If you do not at first find me, try down the hall in the
departmental office. I shall try to leave a note on my door if, for
whatever reason, I have to go out for a moment or entirely miss the office
hour. If that ever occurs, let me apologize in advance.
(3) Contact him through email.
I check and respond to my email regularly and I will try to reply
to your message as soon as I receive it. It is best to send messages
to my home email address where I look at my email several times a day.
Other means of getting in contact are much less certain. You can
try to reach me at my office by phone (see above), especially during office
hours, when I am almost certain to be there. If I am not there when
you call, you can leave a voice-mail message which will get to me.
Ordinarily, however, I do not return student calls. Consequently, if
you do not speak to me directly and the matter involves more than simply
leaving a message, it is your responsibility to keep trying until you reach
me. (Again, I suggest that it is better to see me in class or sending
an email message).
I have purposely omitted my home telephone number from this syllabus
for the simple reason that I will not take student phone calls at home.
Introduction to the Course:
World War I (1914-1918) was a monumental struggle that tore Europe apart
and accounted for the death of millions; its echoes continue to reverberate
even at the close the twentieth century and opening of the twenty-first.
It was indeed "the Great War," a name by which it was known for many years
after its conclusion.
World War I marked the beginning of the end of a domination over world
affairs which the European nations had exercised for centuries. Although
only the German colonial empire immediately disappeared, the conflict sewed
the seeds of a massive decolonization that would characterize the twentieth
century.
World War I destroyed the existing political order and, to a lesser extent,
the economic order as well. It swept away four of the ancient monarchies
of Europe--the Hapsburgs of Austria-Hungary, the Romanovs of Russia,
the Hohenzollerns of Germany and the Ottoman Dynasty which ruled Turkey. It
brought Comunism to power in Russia and laid the foundations for the post-war
growth of Fascism across much of the continent. It catapulted the United
States into the status of a major world power, the responsibilities of which
she would try (unsuccessfully) to abdicate following the struggle.
World War I devastated--both physically and psychologically a generation
of European youth. It fanned the flames of nationalism among the long
suppressed peoples of Central Europe and led to the emergence (or re-emergence)
of several middle European nations which had formerly been part of one or
another of the now defunct empires. The war radically reshaped the
map not only of Europe, but of the Middle East as well, giving rise to Arab
nationalism and leading to the birth of Israel.
World War I spawned the League of Nations, forerunner to the United Nations
of our own day. It also planted the seeds of the Second World War--a
war which many historians regard as a "second round" of the same conflict
following a twenty-year truce.
In short, World War I set the stage for the Twentieth Century.
Course Objectives:
This course will examine in detail the origins, progress, and results
of the First World.
Military topics:
(1) Rival war plans and the unprecedented mobilization of armies
(2) German failure in 1914
(3) Stalemate and trench warfare on the Western Front
(4) Failure of the WWI armies to grapple with the new realities
of warfare
(5) Weapons and tactics of military stalemate and new technologies
designed to break it
(6) Role of the opposing navies: Allied Bockade vrs German
submarines
(7) War on the Eastern Front and in lesser theatres (Italy, Gallipoli,
the Near
East, East Africa, the Far East)
(8) Birth and development of military aviation
(9) Germany's final (losing) gamble of 1917-1918
(10) Decisive Allied counter-offensive
(12) Role of American intervention
Non military topics:
(1) Social, economic, and diplomatic background to the conflict
(2) Rise of a peace movement
(3) Effect of the war upon the homefronts
(4) Reorganization of society and economy caused by the demands
of total war
(5) Wartime diplomacy and the affect of the war on neutral nations
(6) Russian Revolution
(7) Effect of war on women
(8) American drift from neutrality to involvement
(9) Literature, poetry, and art of war
(10) Peace settlements issuing from the war
(11) Question of responsibility and the attempt to
assign 'war guilt.'
(12) War and Disease
Required Reading/Viewing:
Class Notes:
There is no text book for the course. However, extensive
notes extracted from lectures are available on my website, Wire
Paladin. These notes supply the basic factual information which the
student will need to know in order to do well on exams. It is strongly
recommended that the student bring to class a printout of the notes for
material being discussed and annotate them as needed during the lecture.
There should be no trouble getting to my website using the URLs given
in the Introduction. If, for some reason, you do have trouble, send
me an email. When I respond, go to the email signature on the bottom
of my response.
Books (required):
E. M. Remarque, All Quiet on the Western Front (various
publishers). This is the English translation of the the classic World
War I novel, written by a German veteran and titled in German Im
Westen, Nichts Neues, which translates literally, "Nothing new in
the West."
Robert Graves, Goodbye to All That (Anchor Books).
This is the best-known World War I memoir.
Assorted documents and readings that will be provided on the web.
Films (required):
"Paths of Glory": This is a classic World War I film
starring Kirk Douglas and Adolph Menjou; although it dates to the
mid-1950s, it is based on a novel of the 1930s.
Students are expected to view this film as part of their assigned work.
Questions to be considered when viewing the film are posted on the course
webpage. While it is usually available at your neighborhood
Blockbuster, you might consider purchasing it (approximate cost:
$10.00) from Amazon.com or Libris.
Other visual material (required):
"The Great War and the Shaping of the 20th Century": This superb eight-part
series on the First World War was produced jointly by KCET and the BBC in 1996.
There is no need to obtain it; most will be shown in class over the course
of the semester (as a rest from my lecturing!)
Optional Reading/Viewing:
Henri Barbusse, Under Fire (Penguin). This is the
first great anti-war novel to come out of the First World War. It is
unique in for several reasons: first, it was written by a French
soldier on active duty; second, it was actually published during the
conflict.
Vera Brittain, Testament of Youth (Penguin). While not as well-known
as Graves' autobiography, it is the finest such work written by a woman who
participated actively in the conflict and is (in my opinion) one of the
most moving pieces of literature to come out of the Twentieth Century.
Short selections will be posted on the website as required reading, but students
might be interested in looking at the entire work.
"Gallipoli" A modern classic concerning the unsuccessful Allied attack
on the Gallipoli Peninsula in 1915; this film helped promote Mel Gibson
to international star status.
Course Schedule:
Exam dates will be announced in class at least a week in advance of the
exam.
1. Introduction and Background
2. German Unification
3. Austria-Hungary and the Nationality Problem
Test 1 (based on Sections 1-3)
4. The Age of Bismarck (1871-1890)
5. The Kaiser takes the Reins (1890-1905)
6. A Decade of Crises (1905-1914)
7. Summer, 1914--Shots are Fired and the Lights Go Out
8. Who was Responsible?
Test 2 (based on Sections 4-8)
9. The 1914 Campaign--From Liege to Tannenberg and the Marne
10. Stalemate in the Trenches (1915-1917)
11. Failing to Breakthrough
12. 1917--Year of Agony, Year of Hope
13. The Russian Revolutions of 1917
14. The Blockade, the Submarine, and America's Entry into the War
15. The 1918 Campaign--Germany's Final Gamble and Allied Victory
16. Peacemaking-1919
17. Losing the Peace
Test 3 (Final Examination) (based on Sections 9-17)
Course Grades:
Grading in the course will he based upon the following criteria:
(1) Two tests during the term, both dealing with the lead-up to
the war
(2) A final examination dealing with the war and its aftermath
Tests will be factual, designed mainly to see that the student is absorbing
the course material. Questions, based on the lecture notes and study
guides printed on the website, are pretty straight-forward. Students
willing to sit down and put in the work necessary to learn the material have
never had trouble with them.
(3) A brief course essay (at a minimum 10 typed pages) or comparable
project dealing with a topic of interest to the student.
Here is where you can get creative!
All papers must be type-written and proof read, contain a bibliography,
and include an appendix made up of photocopies or print-outs of the major
sources used in compiling the paper. If the paper utilizes direct
quotations, they should be referenced either in footnotes or endnotes using
historical style.
Projects other than a formal paper must be discussed and cleared with
the professor.
In addition, the student should not ignore active engagement in the class.
This can take various forms: discussion (either in class or outside
of it), producing information the instructor has not mentioned, answering
questions, finding and sharing relevant materials, etc. Such participation
can count in the student’s favor, though a failure to participate in this
manner will not count against him/her. I am fully aware that there are many
good students who prefer to listen rather than talk and, and since I admire
good listeners, I will not penalize them.
Attendance:
Attendance in any course is important, but it is particularly important
when that course is based heavily upon both in-class lectures and, to a
lesser extent, in-class discussion. Although I provide fairly detailed
notes of what is discussed in each class, THE STUDENT IS EXPECTED TO ATTEND
ON A REGULAR BASIS.
No habitual failure to attend is acceptable, regardless of the reason.
While this may seem old-fashioned, I am a firm believer that part of a student's
responsibility is to attend class. Gross failure to attend will almost
certainly be taken into consideration in the final grade; and the professor
reserves the right to deny a student a grade if the attendance is poor enough.
Furthermore, students should never skip a class simply because they feel
unprepared. After all, you might miss something interesting or useful!
Besides, there are no unannounced quizes and I never seek to embarrass unprepared
students.
Cheating or Plagiarism:
Everybody knows what cheating is, so there is no need for a definition.
On the other hand, some of you may not be familiar with the word plagiarism.
It refers to any attempt to pass off as your own work something done by somebody
else. Even when only part of a paper is copied from the work of another
person, this is still plagiarism. While it is perfectly acceptable
to quote from another person’s work, such passages must be carefully footnoted.
Both the university and I regard cheating and plagiarism as extremely
serious; as a result, I would recommend that you avoid them like the plague
throughout your college career and, for that matter, afterwards. Although
I shall treat both cheating and plagiarism on a case-by-case basis, the
offender should not expect leniency. A substantial lowering of the
final grade or even expulsion from the course are the normal penalties for
such offenses.
Withdrawal from the Course:
As far as I am concerned, a student wishing to withdraw from the course
for whatever reason will be allowed to do so without penalty, even if he/she
is failing the course at the time of the withdrawal. It has always
been my belief that losing tuition is enough of a penalty to pay for doing
poorly in a course.
However, I would strongly recommend to all students that once they have
decided to withdraw, they should do so as soon as possible. It is
always best to get this unpleasant task out of the way.
First of all, it is better to drop a “loser” and concentrate one’s energies
where they will they will do the most good, i.e. in courses where one is
doing well.
Secondly, in putting off the inevitable, some students wait too long
and pass withdrawal dates mandated by the university, after which withdrawing
may become far more complicated.
Grading Procedures and Student Complaints:
Within any academic discipline, a teacher tries to design a course which
will present a body of knowledge, while developing critical thinking and
skills in research and writing. He or she then evaluates carefully each
student's performance in order to arrive at a grade, which will count toward
college credit. Factors which a professor may take into consideration
when defining student performance include such things as exams (either in-class
or take-home), other written work (papers, book reviews, journals), and various
forms of classroom participation (discussion, oral presentations, answering
questions). Each instructor will determine which of these factors
to employ in arriving at a grade, as well as their relative importance.
The student should also be aware that classroom deportment may be taken into
consideration; in other words, anyone who habitually acts in a manner which
tends to disrupt the learning process may well find that fact reflected in
his or her grade.
In any class worth the name, a grade is earned by the student, for demonstrating
the required knowledge and ability and performing the work within the deadlines
set by the instructor. Failure on the part of a student to demonstrate
adequate knowledge and/or to meet reasonable academic guidelines (as defined
by the instructor) may result in a failing grade and the withholding of academic
credit for the course. Again, let me emphasize: grades are earned,
not given or negotiated!!
On the other hand, for students who believe that they have been unfairly
evaluated, the University of Texas. has established a grievance
procedure. Grade appeals must be made in accordance with that procedure,
which mandates as its first step an attempt by the student and professor
to resolve the grievance without any outside interference. At this point
in the procedure, intervention by third parties such as parents, boyfriends,
attorneys, department heads, administrators or other faculty members is inappropriate.
If, after consultation with the faculty member, the student wishes to pursue
the grievance, he or she should contact the department head. [For further
information concerning the grievance procedure, see the university handbook
which should be available at every college office.]
Brief Biography of this Professor:
L. J. Andrew Villalon received his Ph.D. in history from Yale University
in 1984. After many years at the University of Cincinnati, where he
retired as a full professor, he is currently a senior lecturer, teaching
at the University of Texas. Although Villalon specializes in late medieval
and early modern European history, he has also done work dealing with the
twentieth century. He has delivered numerous conference papers on such
topics as Pedro “the Cruel”, Don Carlos, San Diego de Alcalá, Machiavelli,
Sir Hugh Calveley, royal favorites, saint-making, landholding, and academic
editing. His articles have appeared in collections and in various journals
including The Catholic Historical Review, Sixteenth Century Journal,
Mediterranean Studies, and the Proceedings of the Ohio Academy
of History. Villalon is currently working on two book length studies, one
on the canonization of San Diego (after whom the city is named, the other
on the life of Sir Hugh Calveley (an English knight and mercenary in the Hundred
Years War). He has also co-edited with Donald J. Kagay five collections
of medieval essays—The Final Argument: The Imprint of Violence on
Society in Medieval and Early Modern Europe (The Boydell Press, 1998); The Circle of War in the Middle Ages: Essays on Medieval Military
and Naval History (The Boydell Press, 1999); Crusaders, Condottieri,
and Cannon : Medieval Warfare in Societies around the Mediterranean (Brill,
2002); The Hundred Years War: A Wider Focus (Brill, 2005), and
The Hundred Years War: A Wider Focus (Brill, 2008). Currently, the
pair are gathering essays for a sixth collection (also dealing with the
Hundred Years War) and doing research for a joint monograph concerning the
battle of Najera. In addition to work in his major field, Villalon has published on automotive history and the history of World War
I. He has held several grants for study in Spain, including a Fulbright;
received two awards from the American Association of University Professors
for defending academic freedom; and in 2001, was presented the Professional-Scholarly
Activity Award for the University College at the University of Cincinnati.
(A complete c.v. is available on the website.)
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