Rich Logsdon
I. `Finally, after years of dogged pursuit, Harris
and his thugs tracked Rachel and me to The Red Log-Cabin Restaurant in
the Canadian Rockies.
I was nervously awaiting
the return of Rachel, who had been gone for hours, when he arrived one
late afternoon in July, the sun bleeding through spiraling towers
of smoke from the two-week old forest fires that threatened this forested
sanctuary. I had figured before I saw Harris that some
group had set the fires: each fire had been started within a twenty mile
radius of the restaurant, and each fire burned toward the middle where
Rachel and I had lived in an aluminum-gray trailer for a couple of years
just down the road from the restaurant.
The fires fueling her fears,
Rachel had dreamt for seven straight nights immediately before the encounter
with Harris that she was being consumed by the flames of Hell, had awakened
screaming for seven consecutive nights, and--delusional, I thought--had
mentioned several times that the Devil was near. Always the hard
ass, I had made the decision a couple days before that my beautiful
but neurotic girlfriend and I would wait the fires out. A day before
Harris came, the fires tightly ringed the area in what Rachel morbidly
referred to as "a merry dance of death."
Harris and I went back a
long ways. Years ago, following a clandestine business deal
that left him and his business Sun Sex Cinema bankrupt, Harris vowed to
get even with me, if it was the last thing he ever did. Before his professional
collapse, a celebrated event in seedy Southern California and
New Jersey circles, Abe Harris was big in adult entertainment,
his films characteristically ending with the illusion that the leading
female died brutally. Some of the actresses, I knew, did die. But
after several years of lining up actors and locations, I could no
longer justify participating in an ordeal that, depending upon Harris’
mood, occasionally resulted in murder. Because I had
helped make most of the films, I could not go to the police or
the newspaper. So, I
appointed myself savior and, unknown to the
old man, cut some lucrative deals with
Darkly Fugitive Films, releasing a number of Harris’ actresses from Sun
Sex and allowing them to make movies for this rival group.
Following his professional collapse,
Abner Harris spiraled into suicidal depression, spent three months in
a psyche ward, and recovered instantly when a girl I had saved from
possible death wrote him and named me as the betrayer. As I anticipated,
his mind clearing, Harris acted swiftly. I had been spending a weekend
at a beach hotel in Northern California. The phone rang at two am, and
I knew it was the old man.
"You’ll pay for this, you little
son of a bitch," he growled over
the phone.
I had been in bed with rising adult star Jenny Payload,
watching old Frankenstein and Wolfman movies between bouts
of frenzied sex and having entered her for the umpeenth time when Harris
called. Still a man, I was outraged. But knowing since childhood
that the old man always fulfilled his promises, I packed my bag and silently
slipped away at dawn, leaving Jenny and friends. (Jenny, you
may remember, died of food poisoning ten years ago.)
For the next seventeen years,
I dodged this insidious man, several times finding strength to use
force to survive. Several years back, trapped one Winter night
between cars in a Denver supermarket parking lot, while Rachel watched,
I used my grandfather’s knife to scar and blind the fiend, who came
for me alone. In a blind rage, he was going to blow a hole in me
with a sawed-off shotgun, but when I dropped to my knees and begged for
mercy, he lowered his weapon and gave me my chance. In the freezing
night air, I sprang like a snake. When I sliced his face, Harris
squealed like a pig, dropped the gun, and then fell to the pavement, holding
a hand over bleeding cheek and eye.
With Rachel driving, I left quickly. But the
old man proved to be resilient, and after fast recovery, Harris and
his gang continued the chase that took me across the country
and back several times. Always managing to stay one or two
weeks ahead, until our encounter in the restaurant, Rachel and I
hadn’t seen Harris for over two years.
II. And now here
he was, sure as Death.
Sitting in a back booth, sipping
black coffee and eating apple pie, I immediately recognized him:
a tall, thin man with a pink, jagged scar on his left cheek and a patch
over his right eye.
Jesus, I mumbled to myself, this
old fuck is gonna fry me. Rage over being chased having left me years
ago, I trembled.
He seated himself in the booth
next to the green wooden screen door, the kind you see in old mountain
lodges, and looked across the room with his one good eye. Aside
from the help, we were alone. I stopped eating and nervously
glanced back. Fighting panic, I told myself that Rachel would soon return
from the market. A former actress and the most beautiful woman I had ever
known, Rachel could talk her way out of anything, I told myself, remembering
an encounter last year with a belligerent highway patrol officer. Besides,
since her much publicized flight from the adult entertainment industry
years ago, she always carried a gun.
Now, in the restaurant, time stood
still and the sun froze in the sky as the old man and I watched each other.
"Hello, Sunspot," he said in a
gravely voice raspy from years of
smoking. I swallowed hard and refused to blink. Then,
grinning, he added, "Where’s the girl?"
"She’s not here," I responded in
a high-pitched voice, coolly as possible. "Where are your friends?"
"They’re around," he said.
"Around?"
"You’re not going anywhere if that’s
what you had in mind," he growled.
Slowly, he rose from his table,
looked out the latticed window, motioned with his right hand to someone
in the front, and walked over to me, his black boots thudding on the wooden
floor.
"Why don’t you have a seat?" I
said rigidly, as he stood over my table, his hands thrust into the
pockets of his blue jeans. He wore a red flannel shirt that resembled
one Rachel had given him for Christmas years ago.
"Don’t mind if I do, Isaac," he
replied, sliding into the booth and across from me. For nearly half an
hour he studied me, smoking Camel after Camel, his one good smoke-colored
eye boring into me. The air around us was blue
with smoke, and I felt like gagging.
"Gonna eat, kid?" he asked,
smiling, pointing to my half-finished pie. "Y’know, I can fix your
food."
Laughter in his eye,
he knew I feared him. Years of running will make any man afraid.
"Not hungry," I answered.
"Gonna drink your coffee?" he continued,
nodding towards my cup.
I shook my head. He was playing
with me just as he had done when I
was five and mom was still alive.
"Not thirsty," I twittered.
My heart beat rapidly, and I felt dizzy.
"Where’s your girl?" he asked again.
I didn’t like the way he asked the question.
"Not here," I replied.
"Then what you gonna do, boy?"
he taunted.
"I don’t know," I weakly replied.
I figured I was going to die.
Without Rachel, I hadn’t the courage to stand up to
this man.
"No way out this time, Sunspot,"
the old man said, raising black bushy eyebrows and looking
sorry for me.
"Nope," I muttered, my mind racing,
"not this time."
"Could be the end of the line for
you," he said.
"Could be," I whispered, dizzy
with fear.
Smiling, he paused, lit another
cigarette, blew smoke into the air above me, and motioned for the
waitress, an obese redhead named Martha, who had been standing behind
the counter pretending not to notice.
When she came over, Harris ordered
a diet Pepsi and cherry pie a la mode.
"Bring this boy a piece, too," he said, grinning.
"And some Pepsi, too." He could smell my fear.
I summoned boldness to ask: "So
where do we go from here?"
The old man said nothing until
the waitress brought pie and Pepsi,
and after taking a drink and a bite of pie,
he looked straight at me and then leaned forward, as if to whisper a secret.
"Where we go from here, Sunspot,"
he replied, smiling, his teeth
crooked and yellowed, "is that I give you one
more chance. Son, I’ve actually enjoyed the hunt, the thrill of hunting
down one of my own, and
I might even miss it when it’s over. The chase
is all I have. Anyway,
we’re blood. So I’m gonna give you a chance. Just
for old time’s sake."
My heart skipped several
beats.
"Say that again," I requested.
"Just for old time’s sake," he
said, "because I’m an old softy."
"One last chance?" I asked, breath
coming in short bursts.
"It’s what I said, my beaming boy,"
the old demon rasped, "one last chance for you."
I still felt light-headed.
"So, what do I do?" I asked.
"You head out that front door,"
he said, pointing to the front of the restaurant, "and take the path into
the woods. Once you reach the old picnic area with the swings
you’re on your own again."
"That’s all?" I asked.
"That’s all," he responded.
"Now?"
"Any time, Sunspot. You know
what your momma always used to say,
God rest her soul: no time like the present."
My mother had died of food poisoning
when I was in junior high. I knew at the time the old man had poisoned
her but was afraid to tell anyone.
III. Abe Harris stood and I, Isaac, stood
with him, and we slowly walked to the front door. Stepping outside
into hot suffocating air, the sun veiled by smoke, I stopped and
studied the brown path, which meandered for about one hundred yards, disappearing
into smoke and trees. I knew that if I could elude them until dusk
they would never find me.
I glanced sideways at Harris, slightly
stooped by age, and saw the three big men behind him.
These animals had been with him for years.
"Anytime, Sunspot," Harris
said, lighting another Camel, inhaling,
exhaling, and looking at the path.
I paused. This was too easy.
"You got a minute to disappear,"
he muttered, "and after that, if
you’re caught, I’ll have one of these guys remove
your head." Decapitation was something he had used in
earlier years to even the score with people
even from his own family.
Wondering if Rachel were on her way, a crazy sinking feeling in my gut,
I began jogging down the rutted path.
In less than a minute I reached scraggly pines, but
as I proceeded through the forest towards the picnic area,
the air around me darkened, trees and smoke blocking sunlight.
I moved forward until I came to
the area, which looked as it did years ago when I came
with my father, when he was still the impoverished all-American Dad:
it was simple and rustic, with a wooden table and benches to eat
on, old iron swing set off to the right, and a fire pit ringed with
big rocks to the left. The place was unbearably hot, flames dancing
through trees.
Closing my eyes because of fine
stinging ashes, I knew that I had seen something. Slowly forcing
open my eyes, I glanced around the area;
then I saw and knew that Harris’ design, expressed
once through twisted
movies, had reached its apotheosis in the Canadian
Rockies. On the far side of the campground, suspended in mid air, hung
a tall, gorgeous nude woman. This is what the escape was about. Dumbly,
reminded of early Christian paintings I studied in graduate school, I looked
at the scene, a kind of crucifixion without a cross, smoke swirling around
the body, flames in the trees behind her framing her head in a red and
orange halo. Because the wisps of smoke circling her were crimson, I had
the impression of looking through a bloody prism.
My soul turned to lead, my blood
to ice, and I imagined myself sinking into an oily pool. I
looked up. Slight movement of her head and fluttering of her arms, almost
a kind of grotesque dance, told me Rachel was alive. I drew
closer, smelled blood mixed with smoke, and stopped less than
thirty feet away. Feeling faint, I wasn’t sure I wanted to go on.
But I loved this woman, and
so I stepped forward through building
heat and toward the body. Even dying,
I crazily thought, Rachel was
beautiful, her long, thick raven hair flowing
down her back and over one shoulder to cover a small tattooed breast.
Her arms hanging by her side, she hung mere feet away. Blood trickled
from her mouth and threaded its way between her breasts, and it was
then I noticed a brown wooden pole shoved between her legs,
the point penetrating deeply .
The pole had been planted into the ground.
I recognized the artist’s touch,
a recreation of the scenes Harris used to finish his movies
with. As her hair danced from a slight breeze, I looked at Rachel,
who was bleeding to death internally.
Pleadingly, her light extinguishing, she stared at
me through glassy blood-shot eyes. She had been my redemption.
Seized by coughing, I doubled over,
vomited, then forced myself to look back up. She kept her flickering
eyes on me.
Unable to speak, she slowly mouthed
the words "Been waiting for you"
and then, after several moments, "Help me."
I drew near, not certain what to do, and put my hands on her hips;
perhaps I was going to push her upward off the pole. She went
rigid at my touch, exhaled violently, trembled, then
slowly shut her eyes. I felt, A that instant, as I softly kissed her lips,
her soul rushed out of her.
Deadened inside, I stepped back.
For a time, I watched, waited, hoping her eyes would open, that Rachel
would step down.
Smoke burned my eyes and nostrils
Numbness spread into my jaw and
down my arms as I thought of Harris’ men subduing
this woman and, as
she fought like a wildcat, ripping her clothes off,
and then entering her again and again until they tired of the sport,
held her down and shoved the pole inside her.
"Oh, sweet Jesus," I exclaimed,
dropping to my knees. "I can’t help you, babe."
Kneeling, resigned, wisps of forest
smoke swirling around me, I awaited my executioner, hoping
my final moment would be swift and painless.
"Sweet, sweet Jesus," I said in
a leaden monotone.
It was then that I heard voices
behind me and a piece of dry wood crack and the knowledge that I had been
observed and was being approached snapped me out of my trance.
Something broke inside me.
Angered that my woman had been taken from me, angered
that I had contributed to this brutal death, angered that I had never really
challenged my pursuer, I felt myself pushed from the waking, frightened
dream I had inhabited for the last seventeen years.
"Jesus won’t help you now, son,"
said a voice I recognized as belonging to Harris. Hate creeping
into my soul, I knew that he had brought the others.
"I see you found Rachel," he added.
"Fuck you, Daddy," I said,
rage pushing away fear. My hands folded in front of me, and
I raised my head as I felt the sword placed at my neck. I was to become
victim to my family’s much heralded rite of decapitation. I waited in furious
silence for the swing of death and sharp scalding pain.
I heard no sound, felt no
smoke or flame, sensed that with Rachel I hung suspended somewhere in eternal
bliss, and then became intensely aware that I existed as flesh and
blood. I could feel my heartbeat and the blood coursing through my
veins. Jesus Fucking Christ, I silently screamed to myself, I want to live.
Just one more chance, I silently screamed to Whoever was listening; just
give me one more fucking chance, and I’ll do anything.
Awaiting an answer to my summons,
I recalled coming up here from Las
Vegas with my father more than twenty years ago; I
remembered driving to
this area, against the advice of my father, with a
girl friend from college in Southern California. I remembered hating
my father even as I agreed to work for him Sun Sex Cinema. Death
a certainty, I, Isaac Harris, wondered why I had never finished graduate
school and made a life of my own.
Suffocating smoke made the
heat unbearable. Then, as I felt darkness slither into me like an
oily reptile, I heard singing of metal passing through air, the whoosh
of death, signaling something sharp splitting space near me; I cringed,
felt the executioner’s blade cut through flesh on the side of my neck
and abruptly stop.
After several moments, maybe
an hour, the sword was taken away,
leaving on my neck a huge and bleeding gash
whose scar I carry to this day. At the same time, like one possessed,
I felt rage rush to the surface like lava. Silently, I vowed to kill
the old man, even if he was my lone surviving parent. I prayed that
I would get my chance to disembowel him, which is exactly what I did a
year later in a seedy travel lodge in Philadelphia.
Hiding rage, I turned my head all
the way around and looked up at the old man, his one eye glaring upon me
with the spent fury of a dying star.
"Now we’re even," said Harris,
and two of his men shifted positions
behind him.
I smiled. "I don’t think
so, old fuck," I said, slightly guttural.
"Before I’m through, I’ll drink your blood for dinner."
The change in me
had already begun. To these words, he smiled
and said nothing.
The big guy standing behind Harris—Monk
was his name—wore the blank,
dazed stare of one who has just witnessed creation’s
most gruesome
spectacle. At that moment, it occurred to me
that I would like to eat Monk, whose mouth always hung open in a stupidly
silent moan. I knew Monk had helped rape Rachel.
"What goes around comes around,
Sunspot," Monk said in a high-pitched voice, an idiot waxing philosophical.
Monk reminded me of one of those fat useless priests from the monster movies
of the ‘40s. (I would dismember him a year later.)
"Sure does, Monkey," I muttered,
smiling to myself. Long ago, I had
learned he hated being called that.
As Harris and his men slowly turned
and walked through the smoke back through the woods, I remained kneeling.
Surrounded by flames, scorched,
I closed my eyes, prayed to the darkness that rules this planet for the
ability to carry out my design, knew without question that my final destination
would be the Pit of Hell. The forest was growing darker.
Then I opened my eyes to look at
Rachel and try to remember what she
had looked like when we first met in Las Vegas.
She likely would have
died years ago, a sacrifice in one of my father’s
films. I knew that I could not leave her corpse to rot. Somehow,
I would get her down and, in the fiery gloom, bury her.
After I finished the undertaker’s
task, I would devote my life to tracking the old man and his pack.
A beast, I would exact upon him and whoever stood in my way a revenge so
bloody, so diabolical that even Satan’s legions would shudder and turn
from me.