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In the spring of '69 the band's studio was in a warehouse they called alembic. alembic: the cup wherein the dross is changed to gold. goldentressed backup singers lived upstairs in the loft. the band practised below. the grateful dead offices were in the city and whenever a high mucky-muck ventured across the golden gate and passed through the portals of alembic it was a portentious event indeed. they had hired a new manager at the time but he was of all things, a minister! and he was by god gonna elevate these boys to the supreme heights. dross to gold. so there they were, running through a sassy r and b song, pigpen singing, jerry reponds. phil walks the beat. billy brushes the cymbals. bobby strokes the chords. and it's coming together, when just then in walks, nay, strides purposefully, their new manager, to deposit his brief case of office at the feet of the band, ending the song with a resounding thud. it's happening, boys, he announces. the very thing needed in order for you to jump to the higher rung and grasp once and for all the success you so rightfully crave. can the shit and give us the news, jerry said. i can tell it's not going to be good, or you wouldn't be baring your surplice so obvious. the new tour schedule is in, their manager said, and for the most part, it's an easy swing, but there's one leg that's going to be tough. you have to play new york city this friday night and austin texas the next night. that's impossible, jackson hollered. no way we can load out and load in that quick, ramrod said. we'd need a miracle, bobby said. it'll never happen, billy said. you a flatout numbskull, pigpen said. boys, the lord will give you strength. strength we got, what about sleep? phil asked. you'll have to makedo. this was the only way i could set up these gigs. don't forget you hired me just for this purpose. yeah, but not to kill us, jer said. and they all joined the chorus: no no no we won't do it no more, we're tired of getting killed on the floor. sorry boys, the contracts are signed, either play these dates or you'll never play another hall on this planet. i'll help you every way i can. you gonna lug that equipment? jackson said. you gonna play your ass off on these gigs? phil said. no no no, my job is to stay home, scheduling you even deeper into the ecstay of success, and with the blessing of the lord to support you... take that lord shit and shove it, billy said, hitting the bass drum for emphasis. i wanna hear you sing some gospel, pigpen said, how you gonna make us rich and all. you know i can't sing, i can't dance, i can't play an instrument, but i am one lordlovely businessman and that's what you've hired me for. alright, alright, jerry said. you're gonna help us any way you can, right? of course i will. then get us some speed. speed? wringing his hands. speed? yeah, and not just any nogood kitchen speed, either. but i know nothing of such matters. time to learn, jerry said. I want some obitral. yeah, it's gotta be obitral, simple as that. i'm a man of the cloth, I can't stoop to such ... do what you have to do, jackson interrupted. i'm with jerry. me too, ramrod said. get enough for us all. i'll take one small hit, bobby said, but you have to score or your name isn't reverend. it's camel dung, billy said. heathen camel dung at that, phil said. you be so low that snail shit on the bottom of the ocean is gonna look to you like shooting stars in the sky, pigpen sang. boys, boys, stop it. you're not being fair. i've been working round the clock to put thy house in order and it's a mess, believe me, a real mess, and what do i get in return? opprobrium at every juncture. why are you treating me this way? because it's your birthday, jerry said, and the band laid in on a rollicking version of the old song as mickey brought forth a cake, brimming with burning candles and up in the loft the angelic voices of the goldentressed backup singers joined in: happy birthday to you, happy birthday to you.© Ken Babbs
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In the spring of '69 the band's studio was in a warehouse they called alembic. alembic: the cup wherein the dross is changed to gold. goldentressed backup singers lived upstairs in the loft. the band practised below. the grateful dead offices were in the city and whenever a high mucky-muck ventured across the golden gate and passed through the portals of alembic it was a portentious event indeed. they had hired a new manager at the time but he was of all things, a minister! and he was by god gonna elevate these boys to the supreme heights. dross to gold. so there they were, running through a sassy r and b song, pigpen singing, jerry reponds. phil walks the beat. billy brushes the cymbals. bobby strokes the chords. and it's coming together, when just then in walks, nay, strides purposefully, their new manager, to deposit his brief case of office at the feet of the band, ending the song with a resounding thud. it's happening, boys, he announces. the very thing needed in order for you to jump to the higher rung and grasp once and for all the success you so rightfully crave. can the shit and give us the news, jerry said. i can tell it's not going to be good, or you wouldn't be baring your surplice so obvious. the new tour schedule is in, their manager said, and for the most part, it's an easy swing, but there's one leg that's going to be tough. you have to play new york city this friday night and austin texas the next night. that's impossible, jackson hollered. no way we can load out and load in that quick, ramrod said. we'd need a miracle, bobby said. it'll never happen, billy said. you a flatout numbskull, pigpen said. boys, the lord will give you strength. strength we got, what about sleep? phil asked. you'll have to makedo. this was the only way i could set up these gigs. don't forget you hired me just for this purpose. yeah, but not to kill us, jer said. and they all joined the chorus: no no no we won't do it no more, we're tired of getting killed on the floor. sorry boys, the contracts are signed, either play these dates or you'll never play another hall on this planet. i'll help you every way i can. you gonna lug that equipment? jackson said. you gonna play your ass off on these gigs? phil said. no no no, my job is to stay home, scheduling you even deeper into the ecstay of success, and with the blessing of the lord to support you... take that lord shit and shove it, billy said, hitting the bass drum for emphasis. i wanna hear you sing some gospel, pigpen said, how you gonna make us rich and all. you know i can't sing, i can't dance, i can't play an instrument, but i am one lordlovely businessman and that's what you've hired me for. alright, alright, jerry said. you're gonna help us any way you can, right? of course i will. then get us some speed. speed? wringing his hands. speed? yeah, and not just any nogood kitchen speed, either. but i know nothing of such matters. time to learn, jerry said. I want some obitral. yeah, it's gotta be obitral, simple as that. i'm a man of the cloth, I can't stoop to such ... do what you have to do, jackson interrupted. i'm with jerry. me too, ramrod said. get enough for us all. i'll take one small hit, bobby said, but you have to score or your name isn't reverend. it's camel dung, billy said. heathen camel dung at that, phil said. you be so low that snail shit on the bottom of the ocean is gonna look to you like shooting stars in the sky, pigpen sang. boys, boys, stop it. you're not being fair. i've been working round the clock to put thy house in order and it's a mess, believe me, a real mess, and what do i get in return? opprobrium at every juncture. why are you treating me this way? because it's your birthday, jerry said, and the band laid in on a rollicking version of the old song as mickey brought forth a cake, brimming with burning candles and up in the loft the angelic voices of the goldentressed backup singers joined in: happy birthday to you, happy birthday to you.
© Ken Babbs
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Pretty soon we'll have something about Ken Babbs here. In the meantime, ask at your local book seller about THE LAST GO ROUND, which he and Ken Kesey wrote.
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