11 | CONTINUED: |
Sarah looks up as Anna comes to sit across from her, pointing at the papers on the table. |
(discouraged) |
Anna reaches over the table to touch Sarah's arm. |
(gently) |
Both women rise, Sarah with notes in hand, and walk o.s. |
The two have their BACKS TOWARD the CAMERA. In front of them is a device resembling a large microwave. Anna places a petrii dish with a faintly luminescent liquid inside. Sarah puts on a thick pair of gloves and, hands shaking, spoons into the dish about a tablespoon of some unidentified powder. Quickly, as the mixture begins to smoke, she swings the door shut, then looks at Anna. |
Sarah hesitates, then turns a dial and presses a single button to start the reaction. A BRIGHT LIGHT comes through the glass, blinding in the dark room. It lasts for about twenty seconds, then FADES to a DULL BLUE GLEAM. Sarah and Anna cautiously open the door. Inside, a single, small crystal stands upright in the dish. Sarah lifts it out carefully. |
(doubtfully) |
DISSOLVE TO:
13 | MED. SHOT-LAB |
The table is now clear except for a small, sickly looking, potted plant, a glass of water, and a petrii dish with a sliver of the crystal upon it. Anna stands behind the table; Sarah is at one end. Anna picks up the sliver with a pair of tweezers and drops it into the glass. It dissolves without a trace. She then pours the glass of water onto the rots of the plant. The effect is immediate. Within seconds, a sheath of crystal GROWS over the plant from its roots up, RISING to a height just short of the ceiling before HALTING. It sheds a soft, blue glow on the room. |
(hushed) |
(awed) |
The two glance at each other and begin to laugh. Then they race about the lab gathering materials for all sorts of tests. |
DISSOLVE TO:
14 | LONG SHOT-LAB |
Sarah and Anna are asleep on couches by the far wall. The crystallized plant is still on the table, but its light is negligible in the gray daylight from the windows. A CRASH is heard as Michael Peters throws open the door and stalks into the lab. Sarah and Anna are startled awake. |
(angry) |
Sarah is on her feet by this time. She runs to Michael and throws hwer arms around him, although he remains unresponsive. |
15 | MED. SHOT-MICHAEL & SARAH |
(somewhat mollified) |
CAMERA TRACKS the couple as Sarah almost dances with him to the table and plant. |
(sobered) |
16 | 3-SHOT as Anna comes up to them. |
(bemused) |
17 | LONG SHOT with Anna and Sarah in f.g. and Michael leaving in b.g. As he walks out, still within earshot, Anna begins to speak to Sarah. He pauses to hear her. |
(CONTINUED:)
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