Thought the First:


Contemporary Wicca/"Primitive" Ritual

After attending a ritual recently honoring the Horned God, Cernunnos, I was struck by how much more fully engaged I was during the ritual than during most other Wiccan ceremonies. The energy-raising undertaken during this particular ritual involved spontaneous drumming and dancing and seemed to have lasted just as long as it was able to sustain itself. The opportunity to engage body, voice, and mind was evident thoughout. In contrast, most Wiccan ritual I've attended (in any number of traditions) seems static and somehow solely inward in building power for work.

The contrast seems to me akin to the difference between mainline Protestant and Pentacostal Christian services. The latter provides an avenue for the expression of the ecstatic that is, I think, intimidating to most members of Western European culture--including most "mainline" Wiccans.

Most of us who follow a Pagan path like to believe we are the inheritors of the great shamanic traditions of ancient Europe, fondly hearkening back to sorcerers vested in stag horns and witches entranced by flying ointment dancing wildly in the forest. Would that we could truly live those roles to the fullest.

To wit...some suggestions:

Make noise!
...the "Holy Rollers" do it. Bring drums and rattles and make sure folks feel free to use them. If there are inappropriate times to do so during the ritual, so announce up front. If a covener is inclined to verbalize in a way that is supportive of the aims and energies of the circle, encourage them to continue to do so without embarrassment.

Plan for spontaneity.
Create time during ritual to allow for dance, unscripted chant, or unrestricted movement to happen. Then make sure it does.

Use theatre.
As a theatre professional, I was fortunate enough to experience non-Western performance forms that are spiritual and liberating in ways that would be a credit to any Wiccan circle. Many covens experiment gingerly with ritual roleplaying...how many embrace their roles with the fervor of the "method actor"?


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