It starts with a futuristic Earth and a guy who is waaaaaaaaaayyyy
to hairy getting a phone call about how his contract says he owes
two books to this publisher. Enter Spider Jerusaleum, who leaves the
mountain he stayed in for five years, and returns to the city. He
catches up with an old friend who gives him a job as a journalist
and a house. He then wanders the city and looks for stories. Spider
finds one that involves Transients - people who buy alien genetic
structure and become half-human, half-alien. The story continues as
Spider gets his story as he finds a two-headed cat, visits a strip
joint and reports on a Transient riot.

This is Warren Ellis's forte, you can tell
how he has put energy into his writing in Transmet. Garth Ennis describes
it the best - "forced to filter his own poison through the dubious
medium of the superhero story. The work's been great, but at the end
of the day it's still about grown men in tights."
The humour is dark as night, and Spider is
cranky, on edge and a plain, true bastard, but you can't help but
admire him. He has a human side that is under all the angst and tattoos,
is a guy that you can respect. The future is bleak, and wierder than
ever expected, but it looks like something that is inevitable.
The art is good, with detail and crazy futuristic
contraptions that are funny in themselves. Robertson is accurate in
his visual representation of Ellis's ideas.
This book is great, and if you like wierd,
dark humour and stories this book is for you to pick up. I enjoyed
the read, and will more than likely find #4 in my hand soon.





4/5 Spiders