Barsoomian Customs

"We are ruled by custom upon Barsoom." - Dejah Thoris (PoM, 22)

Barsoomians place great value in the observance of ancient rituals and customs, as John Carter learned very early on. Nearly every daily activity can be dictated or restricted by a tradition or custom, and the penalty for failing to observe proper formality often depends on the reaction of one's peers.

Players of Barsoomian characters should study the customs of their characters' homeworld, as should the Storyteller. Knowing the culture of the world will enhance everyone's enjoyment of the game. If a character is not a native of Barsoom (perhaps he came from Earth, like John Carter did), he should be kept in the dark as much as possible. Make him learn things the hard way!

Barsoomian Greetings

  • When John Carter first alit upon the surface of Mars, he met the Thark chieftain Tars Tarkas, who offered him an armband of wrought gold. Carter accepted the armband and placed it on his own arm, thus accepting the offer of friendship. (PoM, 3)
  • Talu, the Prince of Marentina, also offered a similar gift to John Carter and Thuvan Dihn. He had previously offered his shield, which was quite properly refused, being an offering of the man's life in return for his rescue. (WoM, 9)
  • Casting one's sword at the feet of another is a pledge of loyalty and trust to that person, even unto death. If the recipient is a woman, it can also be interpreted as a declaration of courtship. If cast at the feet of a man, he buckles the sword back on the owner's belt as a sign of acceptance. A woman will return the sword hilt first to its owner. In either case, if the sword is left to lie, it is a refusal of the offer. If the sword is returned point first, it means complete rejection and necessitates a duel to the death. Women do not fight; that honor is passed to the closest male relative or champion. (GoM, 16; LloG, 1/10)
  • When two Barsoomians meet, each will usually place his right hand on the shoulder of the other. A stronger show of friendship is to use both hands in the greeting. Barsoomians rarely embrace. (PoM, 13)
  • Kissing is permitted only between lovers, or husbands and wives (their own), and occasionally one's intimate friends. A subject may occasionally kiss the hand of his queen; this is a show of fealty rather than affection, and the more common practice is to cast the sword. (PoM, 14; CoM, 1, 2, 9)
  • For a departing salute, a Barsoomian may raise both hands, palms backward, above his head.(GoM, 8)

Military Honors

  • Among the more modern nations of Barsoom, troops honor their leaders and heroes by raising their swords and clashing them together. (WoM, 16)
  • Soldiers are recognized for bravery with metal armbands rather than medals, which are clasped to the warrior's left arm by the Jeddak. (PoM, 21)
  • Some particularly despotic rulers demand that all persons approaching the throne prostrate themselves. (GoM, 9; TMoM, 7)

Green Customs

  • Among the green hordes, when a warrior approaches his chief, the latter will acknowledge him by name. The warrior will then address his superior by name and rank. (PoM, 4)
  • On the rare occasions when two green men meet in peace, they will exchange gifts as a token of friendship. (PoM, 12)
  • Among the green men it is the custom, in intratribal disputes, for the victor of a duel to take over the property, women and name of the vanquished (who is dead anyway). (PoM, 10)
  • Important prisoners taken in battle must be brought alive to the ruler of the tribe, whose responsibility it is to decide their fate. Such prisoners may only be killed in self-defense or if they try to escape. If they do escape, the captor must forfiet his rank. (PoM, 12)

Battle

  • In hand-to-hand combat, one must defend himself with the same weapon as that selected by his opponent, or a lesser one. If attacked with a longsword, one may defend himself with a longsword, shortsword or dagger, but never with a pistol. To draw one's pistol when attacked with a sword is unpardonable, as is any attempt at foul play. A warrior never asks for quarter, as that is considered cowardly, and will not offer it, as that is considered a sign of weakness. (PoM, 10, 14; GoM, 3, 7; LloG, 2, 8)
  • All physically fit Barsoomian males, except for slaves, are considered warriors and must wear weapons and trappings at all times. Only contempt would be shown for a man who chose to spurn weapons. (TMoM, 2)
  • Officers are expected to lead their men, from the noblest Jeddak to the lowest padwar. It would be unthinkably cowardly for an officer to order his men into any situation where he would not be willing to go. (CoM, 15)
  • In aerial naval battles it is the custom for a defeated commander to leap to his death rather than surrender his ship. (PoM,26)
  • A drunken commander will not be tolerated aboard any vessel and will likely be thrown overboard by his crew. This act of insubordination will probably go unpunished. (LloG, 3/6)

Funerals

  • Green men burn their dead on great funeral pyres. (PoM, 18)
  • Modern red men dress their dead in special trappings before disposing of them. In the red Barsoomian household, it is customary to drape the wedding trappings of the deceased over his or her dining chair and post a slave in attendance behind it during the period of mourning. (GoM, 17)
  • The yellow men of Okar used to throw the bodies of their deceased into the Carrion Caves. The remains were then consumed by the sacred apts. (WoM, 8)
  • In Manator, the bodies of notables are preserved in a special process. Some are mummified and shrunk; these are displayed along the Avenue of the Ancestors. (CMoM, 15)

Trials

  • Trials are presided over by a panel of thirty-one judges selected from the social class of the accused. His accusers list the acts charged against him, then he is heard, and has the right to call witnesses on his behalf. The judges then decide on either acquittal or sentence. (GoM, 12)
  • In Manator, a person may be judged only by the jeddak. He may, if he wishes, seek counsel in his defense. (CMoM, 14)

Courtship and Marriage, and Male-Female Relationships

  • A man shows devotion to a woman by placing his sword at her feet. If she rejects him, she will leave it there; if she returns it hilt first, she has accepted his offer. (LloG, 1/13)
  • It is the custom for the man to propose to the woman he wishes to marry. He does this by asking her permission to call her "my princess". If she accepts, she will call him "my chieftain". The woman may use this phrase more casually than the man; for a man to call a woman "my princess" without the accompanying proposal of marriage is a grave insult. This honorific is reserved only for the man's betrothed. (PoM, 13, 22; TMoM, 1)
  • Once betrothed, a woman may not listen to love-making from any other man, nor may she break the promise. (PoM, 22)
  • A woman may not marry the man who kills her husband, even if he does so in self-defense. (PoM, 22)
  • Each nation has its own traditions concerning the marriage ceremony, the most common features being the use of golden collars or handcuffs. In Manator, the groom will enter wearing a grotesque jeweled mask while the bride waits at the foot of the throne. Following is a typical example of a royal wedding in Zodanga:

"As we approached the palace I could see through the great windows of the first floor into the brilliantly illuminated audience chamber of Than Kosis. The immense hall was crowded with nobles and their women, as though some important function was in progress. There was not a guard in sight without the palace, due, I presume, to the fact that the city and palace walls were considered impregnable, and so I came close and peered within.

At one end of the chamber, upon massive golden thrones encrusted with diamonds, sat Than Kosis and his consort, surrounded by officers and dignitaries of state. Before them stretched a broad aisle lined on either side with soldiery, and as I looked there entered this aisle at the far end of the hall, the head of a procession which advanced to the foot of the throne.

First there marched four officers of the jeddak's Guard bearing a huge salver on which reposed, upon a cushion of scarlet silk, a great golden chain with a collar and padlock at each end. Directly behind these officers came four others carrying a similar salver which supported the magnificent ornaments of a prince and princess of the reigning house of Zodanga.

At the foot of the throne these two parties separated and halted, facing each other at opposite sides of the aisle. Then came more dignitaries, and the officers of the palace and of the army, and finally two figures entirely muffled in scarlet silk, so that not a feature of either was discernible. These two stopped at the foot of the throne, facing Than Kosis. When the balance of the procession had entered and assumed their stations Than Kosis addressed the couple standing before him. I could not hear his words, but presently two officers advanced and removed the scarlet robe from one of the figures, and I saw that Kantos Kan had failed in his mission, for it was Sab Than, Prince of Zodanga, who stood revealed before me.

Than Kosis now took a set of the ornaments from one of the salvers and placed one of the collars of gold about his son's neck, springing the padlock fast. After a few more words addressed to Sab Than he turned to the other figure, from which the officers now removed the enshrouding silks, disclosing to my now comprehending view Dejah Thoris, Princess of Helium.

The object of the ceremony was clear to me; in another moment Dejah Thoris would be joined forever to the Prince of Zodanga. It was an impressive and beautiful ceremony, I presume, but to me it seemed the most fiendish sight I had ever witnessed, and as the ornaments were adjusted upon her beautiful figure and her collar of gold swung open in the hands of Than Kosis I raised my long-sword above my head, and, with the heavy hilt, I shattered the glass of the great window and sprang into the midst of the astonished assemblage. With a bound I was on the steps of the platform beside Than Kosis, and as he stood riveted with surprise I brought my long-sword down upon the golden chain that would have bound Dejah Thoris to another." (PoM, 25)

  • The time required for preparation of the nuptials varies from region to region. In Okar, ten days are required. In Manator, the period is seven days. (WoM, 11; CMoM, 20)

Other Male-Female Customs

  • Barsoomian men, married and single, may posess female slaves in their household. Red women are held in the highest regard in all cases, and to defile even the lowliest of them is considered a heinous crime.
  • Men do not kill women, nor women, men. (PoM, 11)
  • Men of Barsoom all have a hand-signal they use as a sign of love to the women they love. For any other man to use such a sign is a grave offense. (WoM, 10)

Miscellaneous

  • When announcing the entrance of royalty, a guardsman will strike a gong with his short-sword and call out the name and rank of the person entering.
  • Public houses or hotels provide little privacy for anyone except married couples. Sleeping quarters are segregated by sex and each consists of a large chamber with raised platforms for sleeping silks and furs. Meals are not served, but baths are provided in an adjoining room. The female quarters are guarded from without by armed men who are constantly on call to the female slaves within. The male quarters are patrolled inside by guardsmen.
  • At certain social gatherings, particularly royal balls, it is customary to play the Dance of Barsoom. This simple, intimate, elegant ritual is as much a work of music as it is a dance, as shown in the following scene from The Chessmen of Mars:

"Slaves were passing among the guests, distributing small musical instruments of a single string. Upon each instrument were characters which indicated the pitch and length of its tone. The instruments were of skeel, the string of gut, and were shaped to fit the left forearm of the dancer, to which it was strapped. There was also a ring wound with gut which was worn between the first and second joints of the index finger of the right hand and which, when passed over the string of the instrument, elicited the single note required of the dancer...

"The Dance of Barsoombears a relation to the more formal dancing functions of Mars than the Grand March does to ours, though it is infinitely more intricate and more beautiful. Before a Martian youth of either sex may attend an important social function where their is dancing, he must have become proficient in at least three dances - The Dance of Barsoom, his national dance, and the dance of his city. In these three dances the dancers furnish their own music, which never varies; nor do the steps or figures vary, having been passed down from time immemorial. All Barsoomian dances are stately and beautiful, but the Dance of Barsoom is a wondrous epic of motion and harmony - there is no grotesque posturing, no vulgar or suggestive movements. It has been described as the interpretation of the highest ideals of a world that aspired to grace and beauty and chastitiy in woman, and strength and dignity and loyalty in man." (CMoM, 1)

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